 |
       |
 |
|
|
 |
Las Vegas Legal Video’s process for editing audio, video, and digital images begins with an introductory assessment meeting at which time several items are discussed including, but not limited to, the following: client goals, budget, desired impact of presentation, unexplored options, and the like. After this meeting, we submit a detailed proposal to the client that explores issues like costs involved, estimated time for the project, and a vision for what the project should achieve. |
|
|
|
As part of its commitment to staying at the forefront of technology, Las Vegas Legal Video utilizes a non-linear editing system in order to give its clients a product of only the highest broadcast quality. Working in this digital environment, our editors are allowed more freedom by being able to preview and adjust each segment throughout the process. Segment editing is an integral part of the control system that allows Las Vegas Legal Video to provide a flawless presentation.
The computers in our edit bays have the optimum combination of RAM, hard drive space, and operating systems. The initial step of the edit process is to capture the source material (video footage, documents, images) on the hard drive. After adjusting for color, our editors may add titles, visual effects, animations, or anything within the imagination of our creative staff, subject to the client’s approval. Audio is always a priority and is constantly checked and adjusted to meet broadcast quality standards. Depending on the client’s needs, Las Vegas Legal Video can compress the video and provide the final product on DVD, videotape, CD-ROM, webserver, PC, or laptop computer.
For video editing, we have a state of the art production suite that consists of:
Apple Final Cut Pro HD®
Adobe After Effects ®
Avid ®
Boris FX ®
Inscriber Titlemotion ®
Matrox Digisuite ®
Pinnacle Commotion ®
In addition to the programs delineated above, we utilize the following software for animation, compositing and visual effects:
Adobe After Effects ®
Adobe Premier ®
DPS Perception ®
Eyeon Digital Fusion ®
Pinnacle Commotion ®
Pinnacle Reeltime ®
For computer generated artwork, we proudly and routinely use:
Adobe Illustrator ®
Adobe Photoshop ®
Newtek Aura ®
Newtek Lightwave ®
Finally, for audio, we use the following programs in conjunction with the above-referenced software:
Digidesign ProTools®
Aardvark DirectPro ®
Genelec ®
Proteus 2000 ®
Sonic Solutions Sound Forge ®
Steinberg Cubase mixing and sequencing software
|
|
|
|
|
|
